Margot Cormier Splane Visual Artist
Creating a Hand Pulled Serigraph
Creating a serigraph print begins with a detailed pencil drawing
Serigraph printing creates an image in layers using stencils
Painting a Stencil, this one will be for a medium-light blue color
Mixing serigraph ink with lots of different colors in front of me
Testing to get the hue and intensity of the next color just right
Pulling the stencil emulsion onto the screen under safe lights.
Placing the screen with the stencil taped to it on the light table for exposure
Hosing the unwanted areas off the screen opens up the stencil
Attaching a stenciled screen to hinges on the table before pulling a color
Taping the registration guides in place snugly against the edge of the paper
The artist lining up a serigraph to pull a light grey color
The artist pulling a transparent white color onto a serigraph
Two rows of Serigraph prints hanging in my studio to dry
Taken when I had solvent based inks, so glad I switched to water based
The best part is seeing a new color go down on the serigraph.
Finishing up for the day I’m tired this is really physical work